Mozart Piano Quartet No. 2 in E-flat Major, K.493
Dvořák Piano Quartet No. 2 in E-flat Major, Op. 87
A consistently exciting artist, renowned globally for her spectacular technique, sumptuous sound, deeply probing musicianship, and “irresistible panache” (Chicago Tribune), violinist RACHEL LEE PRIDAY has appeared as soloist with major international orchestras, among them the Chicago, Houston, National, Pacific, St. Louis and Seattle Symphony Orchestras, Boston Pops Orchestra, Buffalo Philharmonic Orchestra and Germany’s Staatskapelle Berlin. Her distinguished recital appearances have brought her to eminent venues, including Lincoln Center for the Performing Arts’ Mostly Mozart Festival, Chicago’s Ravinia Festival and Dame Myra Hess Memorial Series, Paris’s Musée du Louvre, Germany’s Mecklenburg-Vorpommern Festival and Switzerland’s Verbier Festival.
Passionately committed to new music and creating enriching community and global connections, Rachel Lee Priday’s wide-ranging repertoire and multidisciplinary collaborations reflect a deep fascination with literary and cultural narratives. Her work as soloist with the Asia / America New Music Institute promoted cultural exchange between Asia and the Americas, combining premiere performances with educational outreach in the US, China, and Vietnam. She has premiered and commissioned works by composers including Matthew Aucoin, Christopher Cerrone, Gabriella Smith, Timo Andres, Leilehua Lanzilotti, Cristina Spinei, Melia Watras, and Paul Wiancko. In 2022, she premiered a new Violin Concerto, “Kuyén,” written for her by Miguel Farías, which depicts the Moon in Mapuche mythology, with the UC Davis Symphony at the Mondavi Center.
Recent season highlights have included a duo recital with composer/pianist Timo Andres in Seattle and for the Phillips Collection, exploring the through-lines of American twentieth and twenty-first century violin and piano works, and a third tour of South Africa, where she appeared in recital and performed the José White Lafitte Concerto with the Johannesburg and Kwazulu-Natal Philharmonics. Upcoming and recent concerto engagements include the Portland Symphony, Springfield (MO) Symphony, Pensacola Symphony, Symphony San Jose, South Carolina Philharmonic, and Bangor Symphony.
Since making her orchestral debut at the Aspen Music Festival in 1997, Rachel has performed with numerous orchestras across the United States, including the Colorado Symphony, Alabama, Knoxville, Rockford, Annapolis, and New York Youth Symphonies. In Europe and in Asia, she has appeared at the Moritzburg Festival in Germany and with orchestras in Graz, Austria, Hong Kong, Singapore, and Korea, where she performed with the KBS Symphony, Seoul Philharmonic and Russian State Symphony Orchestra on tour. She has toured South Africa extensively, and has given recitals in the United Kingdom at the Universities of Birmingham and Cambridge.
Rachel Lee Priday began her violin studies at the age of four in Chicago, after she saw the sheep puppet Lamb Chop pretend to play the violin in “Lamb Chop’s Play-Along.” Shortly thereafter, she moved to New York City to study with the iconic pedagogue Dorothy DeLay at the Juilliard School. Her teachers and mentors include Itzhak Perlman, Catherine Cho, Won-Bin Yim, Robert Mann, and Miriam Fried. She holds a B.A. degree in English from Harvard University and an M.M. from the New England Conservatory. Since 2019, she serves on the faculty of University of Washington School of Music in Seattle as Assistant Professor of Violin.
Rachel Lee Priday has been profiled in The New Yorker, The Strad, Los Angeles Times and Family Circle. Her performances have been broadcast on major media outlets in the United States, Germany, Korea, South Africa and Brazil, including a televised concert in Rio de Janeiro, numerous appearances on Chicago’s WFMT and American Public Media’s “Performance Today.” She has also been featured on BBC Radio 3, the Disney Channel, “Fiddling for the Future” and “American Masters” on PBS, and the Grammy Awards.
She performs on a Giuseppe Guarneri violin (“filius Andreae”).
Born in Orange, CA in 1993, Violist Tanner Menees is forging an enviable career as a chamber musician. Mr. Menees has collaborated in chamber music performances with a range of notable artists including Miriam Fried, Lynn Harrell, Frans Helmerson, Gary Hoffman, Kim Kashkashian, Laurence Lesser, Danny Phillips, Marcy Rosen, Mitsuko Uchida, and Donald Weilerstein.
Tanner Menees has performed internationally at festivals such as the Marlboro Music Festival, Ravinia’s Steans Music Institute, Caramoor Evnin Rising Stars, Chamberfest Cleveland, Menuhin Festival String Academy, Edinburgh Music Festival, Juilliard String Quartet Seminar, and with NEXUS Chamber Music Chicago. Menees has performed as a soloist with the Colburn Orchestra under maestro Thierry Fischer and with Symphony New Hampshire. Menees is featured in Mike Grittani’s video, Dreaming of Boccherini, shot in Guarneri Hall as part of the NEXUS Chamber Music Festival in 2019.
Tanner received his Bachelor of Music degree and Artist Diploma from the Colburn School, where he studied with Paul Coletti. Later he studied with Kim Kashkashian at the New England Conservatory where he earned a Master of Music degree. Tanner plays on a viola of the Tarasconi school made in Milan, Italy c. 1880 courtesy of Guarneri Hall NFP and Darnton & Hersh Fine Violins.
Cellist Jia Kim, chosen as a recipient of the prestigious 2017 Leonore Annenberg Fellowship Fund, began her cello studies at the age of ten in Korea where she has won first place in the Korean Music Association Competition, the National Symphony Orchestra Competition of Korea and the Young Musician Foundation's National Debut Concerto Competition. Since then Ms. Kim has taken the stage in cities across the United States, South America, Europe and South Korea. Her performances have been reviewed by the New York Times, Vermont Today, South Florida Classical Review, and have been broadcast on WQXR, PBS and KMZT Classical.
As a passionate and active chamber musician, Ms. Kim has worked with renowned artists such as Itzhak Perlman, Robert Mann, Kim Kashkashian, Frans Helmerson, Robert Spano, Emmanuel Villaume, John Williams, as well as members of the Juilliard String Quartet, Cleveland Quartet, Takacs Quartet, Orion String Quartet, and guest appearances with the East Coast Chamber Orchestra (ECCO), The Knights, and A Far Cry. She has taken the stage at venues including Carnegie Hall, the Metropolitan Museum of Art, Lincoln Center's Avery Fisher Hall, Alice Tully Hall, Chicago Symphony Center's Orchestra Hall, Miami's Arsht Center, Valle De Bravo in Mexico, Toronto's Royal Conservatory, Walt Disney Concert Hall, The Korea Society in NYC, Barclays Center in Brooklyn, Al-Hussein Cultural Center at the National Music Conservatory of Jordan, and many more.
Ms. Kim is a recipient of numerous awards including the Jack Smith Memorial Award, Most Promising Young Talent at the 2005 Pasadena Showcase House Instrumental Competition in California, and Performing Arts Scholarship at the Cerritos Center of Arts Education. She received a full scholarship to the Crossroads School in Santa Monica and the Colburn School in Los Angeles.
As a teenager, she spent five summers at The Perlman Music Program Summer Music School in Shelter Island which gave her life-changing musical experiences. She has also been invited to participate at Académie musicale de Villecroze, Kneisel Hall, White Mountains Music Festival, Sitka Music Festival, and The Perlman Music Program's Chamber Music Workshop, where she was invited to tour with Itzhak Perlman in Israel, Toronto, Mexico City, Virginia Beach, and Miami.
A devoted educator, Ms. Kim has worked with students from the Cleveland Institute of Music, American Academy of Jordan, Tel Aviv Conservatory of Music, Grand Valley State University, and has been invited to do a Visiting Artist Residency at the University of Hawaii and College of William and Mary. In 2016, she served as Tone Judge for the Violin Society of America Competition.
Ms. Kim serves on the Faculty of The Juilliard School pre college division, The Mannes School of Music, The Perlman Music Program, and New York Youth Symphony’s Chamber Music program.
Ms. Kim is the cellist of the award-winning Aeolus Quartet.
As Artistic Director of Chamber Music Stowe in Vermont and Central Chamber Series in NYC, Ms. Kim is committed to connecting with a wider audience through the powerful language of chamber music.
She is forever grateful to her mentors and teachers Ronald Leonard, Toby and Itzhak Perlman, and Joel Krosnick, with whom she studied at The Juilliard School for a Bachelor and Master Degree in Music. Ms.Kim performs on a Testore cello made in 1748 and a cello by Samuel Zygmuntowicz.
Eliot Goldmund (born Euntaek Kim) is a New-York based American pianist, conductor, and composer, whose musical prowess has been lauded as “nimble” and “colorful” (Anthony Tommasini, The New York Times) and a“real pianistic talent.” (Roy Westbrook, MusicWeb International)
Native of Incheon, South Korea, Eliot moved to the U.S. at the age of 13, after sweeping all of the major piano competitions in his native country. Eliot went on to become prizewinner and participant in numerous competitions, including The 2007 Queen Elisabeth Competition, The 4th International Tchaikovsky Competition for Young Musicians, The 2001 Oberlin International Piano Competition, and The Center for Musical Excellence Grant. Eliot was also the main feature of the 2005 PBS documentary, titled “Euntaek Kim and Performance of Beethoven’s Choral Fantasy.”
Eliot received his undergraduate and graduate degrees fromThe Juilliard School where he studied under Jerome Lowenthal. When Eliot was admitted to The Juilliard School at the age of 16, he was awarded the“Presidential Distinction,” which denoted the highest score awarded among the applicants auditioned in the year. He went on to complete his Artist Diploma on a full scholarship at Yale University under the tutelage of Boris Berman. Before college, Eliot was enrolled at the Pre-College Division of The Korean National University of Arts, where he studied under Bokhee Chang and Jongpil Lim; and The Juilliard School Pre-College. Eliot also studied privately underthe legendary Chinese pianist Yin Chengzong and was coached by Samuel Adler, Audrey Axinn, Ronald Copes, John Corigliano, Mario Davidovsky, Ilya Itin, Joseph Kalichstein, Joel Krosnick, Yoheved Kaplinsky, Seymour Lipkin, RobertMcDonald, Charles Neidich, Matti Raekallio, and Mark Steinberg.
As a concert pianist, Eliot has made solo appearances in venues across the globe, including Belgium, Canada, China, Italy, South Korea, and the United States. As a chamber musician, Eliot has collaborated with members of Aeolus, Calidore, Enso, Escher, Parker, and Ying quartets. Eliot’s collaborations with Heartbeat Opera and Cantata Profana, based in New YorkCity, in their modernized rendition of Beethoven’s Fidelio in May 2018 was praised by The New Yorker, The New York Times, and The Wall Street Journal. Eliot’s tantalizing appearances in June 2018 at the catacomb of Green-WoodCemetery in Brooklyn, NY, as a part of the world premiere of David Hertzberg’s new chamber opera The Rose Elf, were lauded by WQXR as “the best opera event of 2018.” Eliot’s exquisite performances can be heard in his debut solo album,“Debut - CME Presents Vol. 3: Russian Piano” under the MSR Classics label, as well as in “Hertzberg: The Rose Elf” (under Meyer Media LLC) and “The WakeWorld” (under Tzadik label).
Eliot’s 2024-2025 season will include all piano sonatas and sonatinas by Sergei Prokofiev, as part of his ongoing project to record all piano works by the composer. He is proud to continue the legacy of his mentor Boris Berman, who first recorded all of Prokofiev’s piano music.